One of the vaguest titles in media Hollywood, a producer can be a writer, an investor, an idea man, a manager or all of the above. In film, the head producer is called the executive producer and is responsible for each and every phase of filmmaking: pre-production, production and post-production.
In pre-production, the producer reads scripts and is pitched ideas from writers, directors and agents. After choosing an idea, the producer has to raise money to fund the entertainment project. One route is to get the backing of a major movie studio. Another is to go independent and seek funding from individual investors.
Now the producer has to hire a screenwriter, a director, production staff, casting directors, art directors, camera and lighting crews, and editors. It's the producer's job to make sure that the project stays within budget throughout production and post-production. A good producer not only makes good films, but makes money for the investors. Like most jobs in the film industry, producers work their way up. You might start as a production assistant or a script reader, learning how to spot a good idea and how to bring it to fruition. Or you can just leap right in and learn by trial and error, making small, low-budget films and working up to bigger ones.
Directors oversee the artistic vision of a film. Directors aren't usually involved in the financial side of filmmaking, unless they're wearing multiple hats as a producer-director. In pre-production, the director works closely with the screenwriter and the producer to figure out the best way to visually represent the script and its themes. An experienced director will have a preferred list of cinematographers, art directors, cameramen, casting directors and even actors. Even if the producer does much of the actual hiring and location scouting, it's the director who has the final say.
During filming, the director coaches actors on the best way to read their lines and express emotions. He works with the cinematographer to make sure that the action is being faithfully and artistically recorded. And he decides how many takes are necessary before the crew can move on to the next shot. For more details http://www.dynastyresources.net
One of the vaguest titles in media Hollywood, a producer can be a writer, an investor, an idea man, a manager or all of the above. In film, the head producer is called the executive producer and is responsible for each and every phase of filmmaking: pre-production, production and post-production.
In pre-production, the producer reads scripts and is pitched ideas from writers, directors and agents. After choosing an idea, the producer has to raise money to fund the entertainment project. One route is to get the backing of a major movie studio. Another is to go independent and seek funding from individual investors.
Now the producer has to hire a screenwriter, a director, production staff, casting directors, art directors, camera and lighting crews, and editors. It's the producer's job to make sure that the project stays within budget throughout production and post-production. A good producer not only makes good films, but makes money for the investors. Like most jobs in the film industry, producers work their way up. You might start as a production assistant or a script reader, learning how to spot a good idea and how to bring it to fruition. Or you can just leap right in and learn by trial and error, making small, low-budget films and working up to bigger ones.
Directors oversee the artistic vision of a film. Directors aren't usually involved in the financial side of filmmaking, unless they're wearing multiple hats as a producer-director. In pre-production, the director works closely with the screenwriter and the producer to figure out the best way to visually represent the script and its themes. An experienced director will have a preferred list of cinematographers, art directors, cameramen, casting directors and even actors. Even if the producer does much of the actual hiring and location scouting, it's the director who has the final say.
During filming, the director coaches actors on the best way to read their lines and express emotions. He works with the cinematographer to make sure that the action is being faithfully and artistically recorded. And he decides how many takes are necessary before the crew can move on to the next shot. For more details http://www.dynastyresources.net
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